
The four actors gathered in the studio spent three days rehearsing their 30-page script. They were told they would perform onstage on the fourth day. The cast has yet to be decided. Although they are upset about being in a closed environment with their smartphones and watches ripped away, the four devote themselves to rehearsals in order to obtain the roles they want to play. A second-rate actor, an unpopular actor, a bad actor, and an actor who can no longer find satisfaction in acting as directed. Their no-turning-back situations are gradually brought to light during rehearsals, revealing the women’s respective natures. Their performances collide as they give all they’ve got for their acting careers in this space where there are no rules nor even a director or producer. The fourth day arrives. As the masked audience watches, will they be able to show their true natures as actors and deliver a successful stage performance?
Directed by Yukihiko Tsutsumi, Page30 leans on a strong ensemble — Erika Karata, Mari Hayashida, Kotoha Hiroyama — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2025.
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Russ Millings has just been released from prison after serving 21 years for a 3rd strike conviction for possessing an ounce of marijuana. As he tries to adapt to a world he doesn’t recognize – including trying to learn how to use the internet – he finds an abandoned baby in a dumpster behind the fast food restaurant where he works as a dishwasher. Unsure of what to do, and caught between impulses of kindness and panic, Russ soon realizes this could be his chance at redemption.
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