
Carmela becomes the obsession of the young Count Luigi, heir to the recently deceased's estate, who moves into the decrepit villa nearby. The count is an inveterate womanizer and ends up snatching Carmela from her boyfriend, deceiving her with his lies. Wounded in a duel over another woman, the nobleman is assisted night and day by Carmela, who witnesses a number of moments of delirium in which the man accuses the butler, Giangrande, of an unspecified blunder.
Directed by Elvira Notari, Carmela the Dressmaker of Montesanto leans on a strong ensemble — Tina Somma, Camillo Talamo, Goffredo D'Andrea — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1916.
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