
Martta and Otto are a pair of traveling tailors who claim to be bastard descendants of the Romanovs and wander from town to town in Finland seeking work, accompanied by their two half-witted adult sons, Hippo, Repe and equally silly son-in-law Ventti. The family occasionally turns to crime when they can't quite make ends meet, and the boys begin turning to violence with greater frequency when Otto weakens and Martta becomes the head of the family business. Their fortunes take an unexpected turn when the brothers assault and abduct a man they call Kaspar, who becomes the family's sidekick in their travels. Despite Kaspar's inability to speak, he attracts Martha's youngest daughter, an attractive young woman named Lara, but the family is in disarray when a long-lost half-brother, Laszlo, suddenly re-emerges and tries to wrest control of the clan away from his mother.
Directed by Markku Pölönen, The Matriarch leans on a strong ensemble — Peter Franzén, Sanna-Kaisa Palo, Samuli Vauramo — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 2007.
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Jon Katz is close to burnout. He's a writer with writer's block; his wife has left for her sister's because he's emotionally distant; he rarely answers his phone. A kennel sends him a border collie that's undisciplined because of abuse. Despite a series of mishaps, Jon decides to keep trying with the dog, and he rents a dilapidated farm house to give the dog room to run. A local handyman refers Jon to a woman who might be able to help him train the dog. Reluctantly, Jon gives her a try. Is the dog the problem, or the owner?
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