
In Arabic, “mameluke” means a white slave, a prisoner. In Egypt, this name was given to prisoners of war who had been sold into slavery from Georgia and other countries of the Caucasus. The action of this drama starts in Georgia in the late 18th century. Two friends are abducted and sold into slavery. One ends up in Egypt, the other - in Venice. Years later, they meet by the ancient pyramids, in the desert where a battle is going on between the armies of Bonaparte and Ali-bey, the ruler of Egypt. In a combat with a French officer, the Mameluke injures him. Falling from his horse onto the sand, the officer exclaims in Georgian: “Vai, nana!” (“Oh, mother!”). And the Mameluke recognizes in him a mate of his childhood games.
Directed by David Rondeli, Mameluke leans on a strong ensemble — Dato Danelia, Vaja Djodjua, Manana Londaridze — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1958.
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A chronicle of the Cristeros War (1926-1929), which was touched off by a rebellion against the Mexican government's attempt to secularize the country.
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