
The 1904–1905 Pathé short Un coup d’œil par étage (literally “A Glance on Each Floor”) is an inventive early comedy that presents a whimsical peek into life across multiple apartments in a single building. It plays with cinematic point-of-view and narrative structure in a way that was novel at the time. The film cuts between brief vignettes on each apartment floor: a man at a phone, a pillow fight between children, an elderly lady with a cat—and finally, a resident scrambling to extinguish curtains that have caught fire. Structured as a vertical tour ("par étage"), the short runs about 6 minutes in restored screenings and was featured in retrospectives on early cinem
Directed by Lucien Nonguet, Scenes on Every Floor leans on a strong ensemble — Dranem, Félix Galipaux, Andre Maréchal — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1904.
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Serge Pilardosse has just turned 60. He has worked since the age of 16, never unemployed, never sick. But the hour of retirement has come, and it is disillusionment: he is missing points, some employers having forgotten to declare it! Pushed by Catherine, his wife, he gets on his old motorcycle from the 70s, a "Mammut" which earned him his nickname, and sets off in search of his pay slips. During his journey, he rediscovers his past and his quest for administrative documents soon becomes incidental...
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