
Cellat, the Turkish version of Death Wish, sticks fairly close plot wise to the template of the American film, with some scenes and bits of dialogue being almost identical. However, it also deviates from its inspiration at times and is at its most interesting and valuable in these little moments, providing lurid snapshots of a place and a culture.
Directed by Memduh Ün, The Executioner leans on a strong ensemble — Serdar Gökhan, Mahmut Hekimoğlu, Emel Özden — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1975.
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When a law student accidentally kills the son of a mob boss in a fight, he finds himself relentlessly pursued by the mob and the police.
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