
Jullo, Edo, and Chiara: three teenagers among thousands. Three teenagers who live for sport. Jullo is his skateboard, Chiara conquers the world on skis, Edo is a graffiti artist. One day, Jullo, Chiara, and Edo suddenly discover their own lives, each in their own way. Fears, dreams, surprises, loneliness, insecurity, expectations, instability, imbalance. Then a moment, a second, a click. A click that leads them to rediscover themselves, that leads them into adulthood, or that relentlessly sweeps them away.
Directed by Niccolò Castelli, Tutti giù leans on a strong ensemble — Yanick Cohades, Nicola Perot, Lara Gut-Behrami — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2012.
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A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.
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