
Staged in old Québec City, this film is about a rebel against the time-clock, whose hobby was snaring birds but whose dream was to escape the bonds of domesticity. A kindly satire of the dreamer in every man, the film is also a memorable portrait of Québec, the "Grande Dame" of Canadian cities.
Directed by Bernard Devlin, Jean Palardy, L'Homme aux oiseaux leans on a strong ensemble — Maurice Beaupré, Rene Constantineau, Camille Fournier — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1952.
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