
Cheng, a young man who is set up by the chief of police, must leave the life he knows and Qiu, the woman he loves, to start again. After escaping prison Cheng quickly and violently moves his way up the ladder of Shanghais criminal underworld to become on the most powerful mob bosses in Shanghais history. But fame and notoriety take their toll when Cheng finds himself stuck between the looming Japanese army and the scheming local secret service. Matters are only made worse when he bumps into the love of his life QIU, along with her writer husband. Will love re-kindle in the dusk of an era?
Directed by Wong Jing, The Last Tycoon leans on a strong ensemble — Chow Yun-Fat, Huang Xiaoming, Sammo Hung Kam-Bo — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2012.
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At the end of the 19th century, Shanghai is divided into several foreign concessions. In the British concession, a number of luxurious “flower houses” are reserved for the male elite of the city. Since Chinese dignitaries are not allowed to frequent brothels, these establishments are the only ones that these men can visit. They form a self-contained world, with its own rites, traditions and even its own language. The men don’t only visit the houses to frequent the courtesans but also to dine, smoke opium, play mahjong and relax. The women working there are known as the “flowers of Shanghai”.
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