
Jilted on her wedding day, Maud Wainwright becomes a confirmed man-hater. Homesteading in the Southwest, she ignores the attentions of both bandit "Three Gun Smith" and Sheriff Steve Kennedy. When Smith's gang accidentally knocks over Maud's cabin, the men take her to Smith's cabin while they rebuild her dwelling. There, Maud discovers a mail pouch and believing that it was stolen by Smith, reports him to the sheriff, who persuades her to assist him in arresting the bandit. After Smith is captured, Maud discovers papers that prove he is actually a secret service agent and that the sheriff is the real bandit. Riding to Smith's rescue, Maud prevents him from being lynched at the hands of vigilantes and then proclaims her love for him.
Directed by Edgar Jones, The Girl Angle leans on a strong ensemble — Anita King, Robert Ensminger, Ruth Lackaye — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1917.
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