
A BBC Television Training film that pulls back the curtain on how TV was really made in the 1960s, clipboards, call sheets, and all. It’s a fascinatingly dry yet oddly hypnotic look at the mechanics of production: script breakdowns, scheduling, budgeting, and the careful choreography between departments that kept live and recorded shows on air.
Directed by Ian Curtis, Duncan Griffin-Beale, BBC Films for Television Training: Television Production Planning leans on a strong ensemble — Christopher Barry — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about documentary titles of 1968.
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