
Charm and Valor fall in love and are married. Jealousy, however, is angry at their happiness and decides to ruin their marriage, so she arranges for Charm to find an old photograph of her husband's former sweetheart Forgotten. Valor is also led to mistrust Charm, and the two return to their respective parents: his, Finance and Display, and hers, Commerce and Pride. While Charm spends her days with Sorrow, Treachery endeavors to ruin Valor by luring him to a disreputable roadhouse, and when Valor's father tries to bring him home, the young man strikes his father with a bottle. The two sets of parents are in the midst of a financial battle when Charm gives birth to a child, Happiness. The child reunites the couple, and Madame Jealousy, along with her servants Mischief, Treachery and Rumor, finally are banished.
Directed by Robert G. Vignola, Madame Jealousy leans on a strong ensemble — Pauline Frederick, Thomas Meighan, Frank Losee — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1918.
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