
The first film in Jamie Travis’s PATTERNS trilogy suggests a surrealist homage to the psychologically charged set designs of auteurs like Alfred Hitchcock and Douglas Sirk. The premise is simplicity itself: a woman waits for a call in her immaculate apartment. Comfortably immersed in her bath, she reveals a strange dream to the caller. Travis’s calibrated formal manipulations work up a terrific surface suspense.
Directed by Jamie Travis, Patterns leans on a strong ensemble — Courtenay Webber — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 2005.
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Aspiring bodybuilder Killian Maddox struggles to find human connection in an exploration of celebrity and violence. Nothing deters him from his fiercely protected dream of superstardom, not even the doctors who warn him of the permanent damage he causes to himself with his quest.
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