
In a small town near the mountains of Argentina, Juana tries to commit suicide but ends up in a coma instead, to the great pain of her daughter Marta. Her other daughter Mercedes comes from Buenos Aires but is less interested in her mother's condition than in possibly getting her money. Marta's husband has a great offer for a piece of land owned by Juana, but can't do anything while she is in a coma.
Directed by Victoria Galardi, Cerro Bayo leans on a strong ensemble — Adriana Barraza, Inés Efrón, Verónica Llinás — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2011.
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Alma’s family has been producing quality olive oil in the Baix Maestrat area of Spain’s Castellón for generations. Yet changing pressures in the industry have made their traditional practices economically untenable, and the family is now in the mass-production poultry business. Alma’s grandfather has not spoken in years. Sadness envelopes him, and he no longer wants to eat. His sons—Alma’s father and uncle—are impatient with him, but Alma understands her grandfather. She realizes he has been grieving for a thousand-year-old olive tree that the family has uprooted and sold to pay some debts. (A sadly common reality in Castellón at present.) Unable to bear the idea that her grandfather could die without seeing this terrible wrong corrected, Alma undertakes a quixotic mission to locate the tree and return it to the family orchard, so that her grandfather may have peace in his final days.
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