
In the waiting room of the Auvernaux station, the atmosphere is very lively. Several passengers, who have missed their train, are discussing the killer of young girls who is rampant in the region. While the criminal might be in the vicinity, pursued by the police, a journalist leads the investigation inside the station.
Directed by Ivan Govar, Two Hours to Kill leans on a strong ensemble — Pierre Brasseur, Michel Simon, Raymond Rouleau — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1966.
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Judith leads a double life between Switzerland and France. On the one hand Abdel, with whom she is raising a little girl, on the other Melvil with whom she has two older boys. Little by little, this fragile balance, made up of lies, secrets and back and forth, cracks dangerously. Trapped, Judith chooses to head forward, at the risk of losing everything.
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