
The film reconstructs in Berlin a scene in front of the German consulate in Moscow, using a single and continuous camera shot, with no cuts. Russian immigrants are standing and waiting to get a visa; there's a different gate for each travel reason. Help and assistance is being offered in front of the entrances. A woman walks by the waiting line and is withheld: Her bag is too big and must be handed in. She looks for a place where she can leave it.
Directed by Clemens von Wedemeyer, Leaving leans on a strong ensemble — Ekaterina Choulman, Victor Choulman, Margarita Breitkreiz — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about history titles of 2005.
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Douglas is a foreign entrepreneur, who ventures to Russia in 1885 with dreams of selling a new, experimental steam-driven timber harvester in the wilds of Siberia. Jane is his assistant. On her travels, she meets two men who would change her life forever: a handsome young cadet Andrej Tolstoy with whom she shares a fondness for opera, and the powerful General Radlov who is entranced by her beauty and wants to marry her.
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