
When a photograph is taken at the scene of a murder, the camera is tossed out of a castle window to destroy the evidence and lands in the back of a passing car belonging to chemist John Gray who becomes amateur sleuth after developing the film and goes in search of the woman captured by the photograph. When the camera is stolen from his laboratory, Gray's suspicions are further aroused.
Directed by Bernard Vorhaus, The Ghost Camera leans on a strong ensemble — Henry Kendall, Ida Lupino, Victor Stanley — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1933.
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Not even the joys of parenthood can stop married sleuths Nick and Nora Charles from investigating a murder on a Long Island estate.
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