
Yao and Moroccan Rachid arrive illegally in Valencia, Spain, and separate. Yao sells pirated DVDs in the street and wanders disconsolately around the barrio until he glimpses divorcee Maria Luisa working in her boutique. High-strung and irritable, Maria lives with her gay son, Rober, who, like many other things in life, is a disappointment to her. Rachid, meanwhile, is doing just fine working as a hairstylist in a beauty salon; Rober is hopelessly in love with him. When Yao starts sleeping in Rober's flat, a confrontation between him and Maria suddenly becomes inevitable, and when it comes, what could have been an embarrassment is actually handled with grace.
Directed by Vicente Molina Foix, The God of Wood leans on a strong ensemble — Marisa Paredes, Nao Albet, Sonia Almarcha — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2010.
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