
The new Saint Denis-Bobigny streetcar picks up and drops off commuters in an all-too-brief transit of their lives. Among the regular riders is a woman who is both spectator and guide – she introduces, comments on, ponders and catalyzes the sometimes vain, sometimes serious preoccupations of her fellow travelers, who, for the moment, are rushing headlong toward their destiny. The commuters and their observer have double lives. Once they step off this streetcar, the real-life dramas begin. Each has his or her style of living or dying…
Directed by Jean-Claude Guiguet, The Passengers leans on a strong ensemble — Fabienne Babe, Philippe Garziano, Bruno Putzulu — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1999.
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Seven lonely lives in Paris: a middle-aged estate agent who believes a colleague is sending messages in video tapes she loans him; his co-worker whose Bible is close at hand in times of stress; her late-night charge, an angry, nasty bedridden old man; his son, a patient bartender; the bartender's best patron, an ex-soldier who's lost his moorings while his fiancée looks for a large flat for them; and, the estate agent's much younger sister, who answers personals and waits in cafés with a red flower pinned on her jacket. Will any connect? Can open hearts trump fears?
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