
A former nurse who’s been traumatized by sex with a hospital patient, seeks help from The Imposter, a shrink who proceeds to screw her on a gurney. Folks, the Big Tease is on here in an inimitable ’70s style, and the laughs are legion. Everyone keeps saying, “You look different today, Doc,” and the sexual shenanigans take their inevitable course. One of the patients has been fucked by a gorilla (which we duly see in flashback). Naturally, our phony doctor has some monkey business of his own in store for her. Two breathtaking Venice-beach blondes suffer from lesbomania, and Doc prescribes peenie-barbitol. By the time the real shrink shows up, everyone, including the imposter himself, has been sexually traumatized. You, however, will be delighted.
Directed by —, The Imposter leans on a strong ensemble — Jane Tsentas, Jan Davis, John Keith — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 0.
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A womanizing reporter for a sleazy tabloid magazine impersonates his hen-pecked neighbor in order to get an expose on renowned psychologist Helen Gurley Brown.
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