
Overbearing but kind-hearted old industrialist Sir Henry Woodstock (known as "Old Iron" to his family) quarrels with his favourite son Harry because Harry wishes to marry the daughter of a business opponent whom he suspects of shady practices. Harry, who has inherited his father's temperament, drives away in a blind fury, runs a man down and kills him. At his trial for manslaughter Sir Henry's testimony as to the quarrel, and the mental disturbance that must have resulted from the conflict in Harry's mind between love of his father and determination to do what he himself thought right, secures Harry's acquittal.
Directed by Tom Walls, Old Iron leans on a strong ensemble — Tom Walls, Eva Moore, Cecil Parker — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1938.
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Henry struggles to bond with his estranged son, Gabriel, who suffers from a brain tumor that prevents him from forming new memories. With Gabriel unable to shed the beliefs and interests that caused their physical and emotional distance, Henry must learn to embrace his son's choices and try to connect with him through music.
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