
Baitini returns to the village to manage the chalet and fish trap business left behind by her late father. While she was away in Kuala Lumpur, the chalet and fish trap were managed by her younger brother, Bahhar. Bahhar worked hard to run the family business, sometimes even neglecting himself. It turns out that Bahhar was one of the happiest to welcome his sister's return. However, behind Bahhar's joy at his sister's return, he was shocked by the news that his sister had married without his knowledge. For Bahhar, his sister's action seemed as though she was sidelining him as her younger brother. At the same time, Bahhar was actually suspicious of Asyar's movements, especially since his sister's husband was much younger compared to his sister who was already quite old. When Asyar sensed the cold treatment from his brother-in-law Bahhar, he had hired Bahhar's friend, Azman, to help him carry out their mission to seize his wife's wealth.
Directed by Amin Masyhur, Jefry Talib, Batin Aram-Aram leans on a strong ensemble — Wan Nor Azlin, Hushairi Husain, Azman Hassan — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 2019.
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