
As a child, Amadou flees his native country Guinee to escape from the rebels. He ends up in the Netherlands and spends several years in a centre for asylum seekers, waiting for a decision on his asylum application to be taken. Meanwhile, he learns the language, goes to school and nearly graduates. Before he can actually graduate, however, the authorities decide to send Amadou back to Guinee. Together with four fellow-countrymen he is taken to the airport in a small van. The five foreigners whose asylum application has been rejected decide to put up a resistance against their expulsion. In view of the interests at stake, the authorities go to great lengths to deport the five men. This incident, based on true facts, leads to a night full of violence and intrigue that only produces losers.
Directed by Boris Paval Conen, Exit leans on a strong ensemble — Romijn Conen, Emmanuel Ohene Boafo, Werner Kolf — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2013.
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Richard Jewell thinks quick, works fast, and saves hundreds, perhaps thousands, of lives after a domestic terrorist plants several pipe bombs and they explode during a concert, only to be falsely suspected of the crime by sloppy FBI work and sensational media coverage.
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