
Since she was a child, Natalie Miller has always thought she was an ugly ducking. Despite her mother's encouragement that she will grow up to be pretty, Natalie has never believed it will happen. She runs away to Greenwich Village to find herself and discovers a vibrant bohemian counterculture.
Directed by Fred Coe, Me, Natalie leans on a strong ensemble — Patty Duke, James Farentino, Martin Balsam — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1969.
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Eric returns home for a short visit and finds himself caught between reuniting with his sisters and chasing a victory with his old poker group. As the trip extends, Eric finds it increasingly difficult to avoid confrontations and revelations as his carefully constructed façade of his adulthood gives way to old childhood conflicts.
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