
Pursued by a rival gang after a violent robbery, Toni escapes with nearly thirty million francs. On the train to Paris, to avoid arousing suspicion, he has no choice but to threaten an honorable philosophy professor, Justin Mignonnet, with his gun, so that he will carry the loot for him. To make sure he returns the money, he takes his papers and makes him promise to be present at the exchange appointment at the Pigalle Hotel the next day. Completely lost, Mignonnet decides to obey orders, but just as he is about to return the money, a young woman, a member of the enemy gang, comes to collect it.
Directed by Bernard Borderie, The Boss leans on a strong ensemble — Fernandel, Barbara Laage, Marcel Bozzuffi — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1960.
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Traumatized by a fishing boat accident many years before, Joe Gastineau has given up his hopes for a life beyond the odd jobs he takes to support himself. That quickly changes when nomadic club singer Donna de Angelo and her troubled teen-age daughter enter Joe’s life. Both mother and daughter fall for Joe, increasing the friction between them. The tension continues to build when Joe invites them on a pleasure cruise up the Alaskan coast, discovering too late that the trip may cost them their lives.
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