
Evelyn, the daughter of American travel agent John P. Hoover and great-grandniece of the famous Viennese dancer Fanny Elßler, is herself a professional dancer. However, unbeknownst to her, her wealthy father is bribing critics and audiences—some with free tickets, others with money. When Evelyn overhears a conversation about her supposedly mediocre talent, she discovers her father's manipulation. She then escapes to Vienna with a tour group organized by her father's company. She hopes to pursue a career as a dancer there—like her famous relative once did.
Directed by Franz Antel, Rote Lippen soll man küssen leans on a strong ensemble — Gunther Philipp, Johanna Matz, Peter Weck — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about romance titles of 1964.
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