Satan Bouche un Coin

The film is a series of images, shown in short takes (anywhere from a few frames to 30 seconds), of more or less fetishistic imagery (something Bouyxou was particularly fond of). After a credit and title sequence written on naked human flesh, the viewer sees the brilliant Molinier standing sanctimoniously in front of a screen. Soon he is joined by a woman, and he fondles her breasts while retaining his signature grin. Molinier seems to almost be the 'ringmaster' of the incidents, with almost every minute episode cutting back to him. His presence is one thing that makes this film remarkable; the same sort of aura that exists in Moliniers famous self-portraits and cut-ups is present here, on screen. (esotika.blogspot.com)

Directed by Raphaël Marongiu, Jean-Pierre Bouyxou, Satan Bouche un Coin leans on a strong ensemble — Pierre Molinier, Janine Delannoy, Michèle Giraud — to carry a story that balances spectacle with character.

The film landed with audiences for its craft and performances, and remains one of the most talked-about horror titles of 1968.