
Jeanne Jouvert, a crime writer, has won the Quai des Orfèvres prize. Her publisher devises a clever publicity ploy that results in her husband, Alfred, head of the anti-gang squad, being honored in her place. The policeman finds himself quite comfortable as a best-selling author and takes advantage of the situation. Tired of having been submissive for too long, Jeanne plans her revenge. She asks for help from her friend Anne Beaufort, herself disappointed by her husband, who pretends to help Third World countries by selling them weapons. The two of them will prove what they are capable of by organizing a hold-up of the central post office in Paris.
Directed by Pierre Lary, La Revanche leans on a strong ensemble — Annie Girardot, Victor Lanoux, Claude Rich — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1981.
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Misanthropic novelist François writes gripping crime stories – “Agatha Christie meets The Scarlet Pimpernel” – but outside of the swashbuckling imaginary world of his Marquis la Rose-novels, life is far from thrilling. His partner Colette, a professor at the Sorbonne and world-renowned expert on Alfred Hitchcock, is tired of watching François sit around their apartment in his pyjamas and yearns for the excitement of the classic films she watches with her students. When Colette begins to suspect their flamboyant actor neighbour of murdering his wife, the couple’s mundane lives are turned upside down – and their stale relationship is jolted back to life.
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