
Peru, early 2000s. Alfonso wants to be a writer, but he decides to work first as a journalist. He is assigned to the crime section of a newspaper, a job from which he can know the nasty guts of tabloid publications.
Directed by Francisco J. Lombardi, Red Ink leans on a strong ensemble — Gianfranco Brero, Giovanni Ciccia, Fele Martínez — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2000.
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American corporations are using the North American Free Trade Agreement by opening large maquiladoras right across the United States–Mexico border. The maquiladoras hire mostly Mexican women to work long hours for little money in order to produce mass quantity products. Lauren Adrian, an impassioned American news reporter for the Chicago Sentinel wants to be assigned to the Iraq front-lines to cover the war. Instead, her editor George Morgan assigns her to investigate a series of slayings involving young maquiladora factory women in a Mexican bordertown.
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