
First violin in the orchestra of a big city, S. has an extraordinary memory, which leads him to remember every detail of what falls under his attention. When he realizes that he can no longer read a score, because the notes before his eyes explode into moving and colorful points, he decides to contact Professor L., an internationally renowned psychologist.
Directed by Paolo Rosa, Il mnemonista leans on a strong ensemble — Sandro Lombardi, Roberto Herlitzka, Sonia Bergamasco — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2000.
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Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.
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