
The curtain opens; behind it are two pianos where Charles Bourne and Phil Ellis, billed as the Music Boxes, are seated playing. After a few bars, Blossom Seeley and Bennie Fields enter - she's in tulle, he's in sport coat, worsted trousers, vest, and tie carrying a cane and straw hat. They do three numbers, "Hello Mr. Bluebird," Irving Berlin's "The Call of the South," and "(A Pretty Spanish Town) On a Night Like This." Between the first two numbers, they kibbutz about southern music, and for the third song, she dons a sombrero and a serape and he sports a guitar and a gaucho hat. There's also a bit of dancing during the third number.
Directed by —, Blossom Seeley and Bennie Fields leans on a strong ensemble — Blossom Seeley, Benny Fields, Charles Bourne — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about music titles of 1927.
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