
FINALLY, LILLIAN AND DAN is a meditation on young love and its delicacy its hope and exhilaration, as well as its loneliness and naivete. Lillian lives in a quiet yet comfortable isolation, sharing an apartment with her grandmother, an aging widow. Their dependence on one another is mutual, simultaneously making them whole and holding them back. Dan's dependence is more tactile. Living in more tortured solitude, his attempts at human connection are carried out in the only way he can manage: in compulsive fits and starts. After a chance meeting, Lillian and Dan bump and misstep their way towards one another in a love story that is awkward and small, that stutters and spits, with its worry lines on its face and its heart on its sleeve.
Directed by Mike Gibisser, Finally, Lillian and Dan leans on a strong ensemble — Gretchen Akers, Jason Kean, Lucy Quinn — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about romance titles of 2008.
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