
William Foster is a slick attorney who stays within the law, but specializes in representing crooks and shady characters. He's adept at keeping them out of jail, winning acquittals, and having decisions reversed, thus springing criminals out of prison. He is romantically involved with dancer Irene Manners, who is two-timing him, although she wants to marry him. She kills a man driving while out with her other man, Jack Defoe, who takes the blame. Unfortunately, a ring Foster had just given Irene is found at the crime scene. Foster ends up defending Jack, but when the ring is found, he thinks he is protecting Irene, so pleads guilty to jury tampering.
Directed by John Cromwell, For the Defense leans on a strong ensemble — William Powell, Kay Francis, Scott Kolk — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about crime titles of 1930.
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Petty crook and cop-killer Martin Rome, in bad shape from wounds in the hospital prison ward, still refuses to help slimy lawyer Niles clear his client by confessing to another crime. Police Lt. Candella must check Niles' allegation; a friend of the Rome family, he walks a tightrope between sentiment and cynicism. When Martin fears Candella will implicate his girlfriend Teena, he'll do anything to protect her. How many others will he drag down to disaster with him?
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