
In this bizarre world of distorted human pleasures, we have come to accept the most heinous crimes against mankind as just another example of the degeneration of our species. Even the most jaded individual could not forgive the creators of the Love Robots. Love Robots are beautiful young girls, abducted right off the street who, through a procedure that rivals anything the Marquis de Sade might have dreamt of, are turned into monsters, capable of killing a man or loving him on command.
Directed by Kōji Wakamatsu, The Love Robots leans on a strong ensemble — Hidekatsu Shibata, Mari Mukai, Hideo Saeki — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about science fiction titles of 1966.
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Curmudgeonly old Frank lives by himself. His routine involves daily visits to his local library, where he has a twinkle in his eye for the librarian. His grown children are concerned about their father’s well-being and buy him a caretaker robot. Initially resistant to the idea, Frank soon appreciates the benefits of robotic support – like nutritious meals and a clean house – and eventually begins to treat his robot like a true companion. With his robot’s assistance, Frank’s passion for his old, unlawful profession is reignited, for better or worse.
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