
The postcard obviously begins with a map. Posted in the Caribbean, it is addressed by a father to his son. We quickly understand that the mother and her child are preparing to leave for the funeral mass of the father in question. Confident in his father's life and good health, the boy refuses to believe that the coffin is occupied and, indifferent to the solemn atmosphere of the moment, he worries about a young woman standing apart from the procession.
Directed by Vivian Goffette, The Postcard leans on a strong ensemble — Martin Viot, Stéphane Auberghen, Laurence César — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1998.
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