
A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.
Directed by Kamal Amrohi, Mahal leans on a strong ensemble — Madhubala, Ashok Kumar, Vijayalakshmi — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about romance titles of 1949.
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Recently deceased, a white-sheeted ghost returns to his suburban home to console his bereft wife, only to find that in his spectral state he has become unstuck in time, forced to watch passively as the life he knew and the woman he loves slowly slip away.
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