
Prostitute Dolly co-finances the purchase of a Vermeer painting with art expert Eddy Cremer. When they find out the painting is fake, she returns to the red light district, where conditions have worsened over time.
Directed by Gerrit van Elst, Blonde Dolly leans on a strong ensemble — Hilde Van Mieghem, Peter Tuinman, Fred Vaassen — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1987.
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After the gangsters who killed his father come to settle a score, a teenage boy and his mother turn the tables on the killers - one Latino family's quest for honor and revenge as the hunted become the hunters.
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