
18 year old Stefania is brought to a juvenile reformatory for young prostitutes. The institution is actually a prison, and one of the worst and most squalid of its kind. It's a real hell. Two dozens of ragged girls are crammed into a dormitory, locked by a thick iron door, two in each bed. Meals and work is carried out in other sections of the building, separated by iron bars. A young doctor shall investigate the newcomer. When they meet, they immediately recognize each other. It is Giorgos, the doctor that treated Stefania's mother a couple of years ago, and then had a little flirt with Stefania. He has been thinking of her ever since. He immediately falls in love with her, and wants to help her. Stefania is thinking about any possibility to get out from the prison. She flirts with the ugly yard guard Armandos, and with the truck driver coming with foodstuff, but in vain...
Directed by Giannis Dalianidis, Stefania leans on a strong ensemble — Zoe Laskari, Spiros Focás, Tasso Kavadia — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1966.
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A troubled young woman becomes obsessed with her mysterious new neighbor, who bears a striking resemblance to the girl's dead mother.
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