
A young woman sharpshooter fighting with the Reds in Turkestan misses her forty-first victim, a handsome White lieutenant, and ends up escorting him, by boat, into captivity across the Aral Sea. A storm strands the two on an island.
Directed by Yakov Protazanov, The Forty-First leans on a strong ensemble — Ada Vojtsik, Ivan Koval-Samborskiy, Ivan Shtraukh — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about war titles of 1927.
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December of 1941, Northwestern Front. A German tank column is moving towards Moscow. During a mission to stop the enemy advance, Nikolai Komlev's IL-2 is shot down. Komlev manages to crash-land his plane in a remote forest clearing. He's alive, but far from friendly territory. Ahead of him is a relentless trial of severe physical and mental endurance. After battling hunger and extreme cold, evading packs of wolves and detachments of Nazi soldiers, the wounded Komlev finally makes it back to safety. But there he faces another challenge, the most life-changing of them all.
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