
The 17th century rebellion in Kakheti masterminded by Bidzina Cholokashvili gets about the whole Georgia. An Imeretian youth nicknamed as Bashi-Achuk is a real exterminator of the Persians. He attacks the Persian escort and sets free the Georgian women who were supposed to be locked up in the Shah’s harem. Bashi-Achuk’s twin sisters are among the rescued captives. Abdushahil, a Persian warrior who was defeated by Bashi-Achuk in wrestling, falls in love with Mzisa, Bashi-achuk’s sister. Mzisa brings Abdushahil to the camp of the Georgian rebels. Abdushahil learns that he is a Georgian too. As a child he was kidnapped and brought up in Persia. Abdushahil’s army gives up and the Georgians win the battle.
Directed by Leo Esakia, Bashi-Achuki leans on a strong ensemble — Otar Koberidze, Lia Eliava, Medea Chakhava — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about adventure titles of 1956.
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In the year 1215, the rebel barons of England have forced their despised King John to put his royal seal on the Magna Carta, a seminal document that upheld the rights of free men. Yet within months of pledging himself to the great charter, the King reneged on his word and assembled a mercenary army on the south coast of England with the intention of bringing the barons and the country back under his tyrannical rule. Barring his way stood the mighty Rochester castle, a place that would become the symbol of the rebel's momentous struggle for justice and freedom.
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