
Hans-Peter Hochenrath and Birgit Hein made a documentary film about me for the Saarland Network and wanted me to make a self-portrait. Instead of pointing the camera lens away from myself, I pointed it toward myself. I rewound the film over and over again so that multiple exposures were produced, while I was repeatedly fading in and out.
Directed by Kurt Kren, 36/78: Rischart leans on a strong ensemble — Kurt Kren — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1978.
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