
Unbeknownst to the 19th-century Greek "primitive" painter Theofilos, other painters around the world at the time were also exploring non-academic subjects, focusing on the everyday lives of ordinary persons. In the U.S., the group of painters who chose such subjects were dubbed "the Ashcan school." Though Theofilos remained unknown in his lifetime, this biographical drama explores the painter's life from his birth on the Isle of Lesbos (Lesvos) in 1868 to the time when he developed his characteristic style, following his discharge from the Greek army.
Directed by Lakis Papastathis, Theophilos leans on a strong ensemble — Dimitris Katalifos, Stamatis Fasoulis, Dimitris Kamberidis — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1987.
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At the age of 17, Griselda Blanco, made her way to the U.S. with a fake passport with her first husband Carlos. Living in Queens with her three sons, Griselda became enticed by the money the drug world offered, and quickly became embroiled with local drug runners. Griselda masterminded the use of beautiful women, the elderly and children as the mules and created false-bottom suitcases to smuggle cocaine from Colombia.
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