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Directed by Gustaf Gründgens, Traugott Müller, Friedemann Bach leans on a strong ensemble — Gustaf Gründgens, Wolfgang Liebeneiner, Eugen Klöpfer — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1941.
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Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.
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