
The film records a day in a supermarket in the Brussels region. The story of this day's little events, both comic and touching, provides the general framework of the film. The situations which are conveyed through an accumulation of quick, light touches, highlight some of the ways we behave in connection with food, the repetitive element in our gestures and movements in this everyday, enclosed world which is so familiar. The film is based on the observation of a supermarket and the people who shop or work there. More and more of their various personalities emerge in the course of the day. They all have their importance: we get to know them from the outside, like people in a group photo where each has his own place. All these individuals cross each other's paths, meet each other, bump into each other again and fill in the framework of the film with a many-sided tableau.
Directed by Patrick Van Antwerpen, Vivement ce soir leans on a strong ensemble — Marco Badot, Jean-Marie Buchet, Luc de Smet — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1985.
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