
Raquel has been the live-in housekeeper for a kind, reasonably wealthy family for half her life, and the joyless repetition of the job has begun to take its toll. Increasingly dependent on painkillers, Raquel resorts to pranks and childish avoidance to antagonize the family’s college-age daughter and a procession of new servants, all in the hopes of protecting her precarious power within the home. Her antics successfully push everyone away, until new maid Lucy actually pushes back.
Directed by Sebastián Silva, The Maid leans on a strong ensemble — Catalina Saavedra, Claudia Celedón, Andrea García-Huidobro — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2009.
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Ana has just arrived from Colombia and is the maid of a luxurious mansion on the Costa Brava, where a family of wealthy art dealers spends their summers. The young woman works tirelessly and without a contract, under the promise of decent conditions at the end of the summer, if she remains obedient and discreet.
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