
The story of El Nani, a juvenile delinquent from the years of the Transition, whose disappearance in a police station after an interrogation has not yet been clarified, putting the accent on the denunciation of police brutality and speculating on the outcome of the story. A story that mixes political denunciation and social chronicle of an era.
Directed by Roberto Bodegas, Matar al Nani leans on a strong ensemble — Frédéric Deban, José Pedro Carrión, Eulalia Ramón — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about crime titles of 1988.
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