
The old nunnery owns the best lands. Nuns rent out the land to local rich men, and exploiting peasants they have a wealthy life. The peasants live in misery. Especially, the family of the peasant named Levin. He is forced to give away his last horse, his son Andrii is imprisoned, his daughter Nastia becomes a maid of a rich landlord. Trying to prevent the master’s harassment, Nastia escapes and gets to the nunnery. She can see the other life of the nuns who manufacture false relics, drink alcohol and kill children. Nastia ends up in the basement for resisting one of the “spiritual pastors.” Meanwhile, her brother Andrii escapes from prison. He stirs up a rebellion and saves his sister. The film is lost.
Directed by Pyotr Chardynin, Behind the Monastery Wall leans on a strong ensemble — Nina Li, Matvei Lyarov, Mykola Kuchynskyi — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1928.
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