
A poem to love and patriotism soon after the end of World War I. A highly original and poetic film using many experimental camera techniques, which proved too fanciful for many but which established Marcel L'Herbier's reputation as a talented innovator. This is the director's debut film and it is considered the second impressionist film, the first being Abel Gance's, 1918, La Dixième symphonie (The Tenth Symphony).
Directed by Marcel L'Herbier, Rose-France leans on a strong ensemble — Claude-France Aïssé, Jaque Catelain, Baron Byron Khun de Prorak — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1919.
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