
A camera crew has the unique opportunity to record Satan in his natural habitat and it looks like he's quite happy with it. He has the perfect job, he is for the most part feared and respected, and his minions jump to his every whim. After 6,000 years he is invited back to heaven, and he goes - expecting to return to his place beside God as Lucifer, the Angel of Light. But when it turns out the invitation is not for the expected welcome home, but is rather for Christ's Second Coming-out party, things quickly go to hell. Worse, his former girlfriend is now partnering with the biggest douche-bag in Heaven. Satan decides he misses the place anyway, and wants back in. So he decides he needs to find a way to re-earn God's respect in order to be welcomed back. We learn that the Devil does for once care - kind of.
Directed by Sara Lohman, Good Satan leans on a strong ensemble — Scott Rutherford, Scott MacArthur, Dave Parke — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 2012.
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12-year-old Henry Rowengartner, whose late father was a minor league baseball player, grew up dreaming of playing baseball, despite his physical shortcomings. After Henry's arm is broken while trying to catch a baseball at school, the tendon in that arm heals too tightly, allowing Henry to throw pitches that are as fast as 103 mph. Henry is spotted at nearby Wrigley Field by Larry "Fish" Fisher, the general manager of the struggling Chicago Cubs, after Henry throws an opponent's home-run ball all the way from the outfield bleachers back to the catcher, and it seems that Henry may be the pitcher that team owner Bob Carson has been praying for.
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