
Petr is a courier, a messenger as a matter of fact. He is one of those young men who believe that on their bikes they have become part and parcel of the atmosphere of modern cities. He is a non-conformist who refuses to settle into today‘s deformed society, he abhors its indolence, consumerism and lies, as well as its pseudo-truths, pseudo-feelings, pseudo-loves and pseudo-values. Petr’s untrammelled personality keeps causing more and more serious problems. And Petr is also one of those who will never admit to themselves that they might be at the end of their tether.
Directed by Vladimír Michálek, The Messenger leans on a strong ensemble — Matěj Hádek, Jiří Vyorálek, Jan Kolařík — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2012.
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After dominating the boxing world, Adonis Creed has thrived in his career and family life. When a childhood friend and former boxing prodigy, Damian Anderson, resurfaces after serving a long sentence in prison, he is eager to prove that he deserves his shot in the ring. The face-off between former friends is more than just a fight. To settle the score, Adonis must put his future on the line to battle Damian — a fighter with nothing to lose.
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